Coppolas Interpretation of Dracula as a Love Story Essay -- Movie Fil

Coppolas Interpretation of genus genus Dracula as a Love Story The protagonist and story of Bram Stokers novel Dracula have been widely interpreted and adapted in packs throughout some(prenominal) years. Despite almost a century of time since the initial publication, Dracula has maintained its ability to frighten and mesmerize readers. Francis Ford Coppolas Bram Stokers Dracula however, utilizes the tickling romance of the original novel in order to depict a tragic love story. The film accurately follows the general plot of the novel, thus far presents the characters in a unique manner that provides for a different custody of the characters. Francis Ford Coppolas adaptation of Stokers novel begins with the presentation of how Dracula became an immortal tool doomed to thirst for the railway line of living animals. This story is essential to the rendering of Dracula in Coppolas film. Dracula was a knight in the reverend army of the church, who left his wife in order fight a gainst an occupy Turkish army. He was successful in preventing the invasion of the Turks, yet they retaliated by sending his wife, Elizobeta, a letter that falsely reported his death in the battle. Upon hearing this tragic news, Elizobeta committed suicide by jumping into a river. When Dracula returns from the battle he discovers that his beloved wife is dead, and when the church tells him that her head cannot be saved because she had taken her own life, he turns against the church and renounces matinee idol for betraying him. Dracula strikes the stone crucifix behind the altar in the church, which causes blood to gush from the stone. Dracula drinks the blood and vows to oppose God for eternity, whereby causing himself to locomote eternally damned as a vampire. The mos... ...by comparing Bram Stokers original novel, Dracula, to the film adaptation by director Francis Ford Coppola, the main theme of the pictorial matter is discovered to be that Dracula sacrificed himself for hi s true love. James Craig Holte agrees in his instruction that parallels the conclusion of this paper In Coppolas vampire world, the world of contemporary black letter fiction and film, the moral universe has changed good and evil are no longer opposites, and actions no longer expected consequences, since love conquers all (Holte 87). workings Cited Holte, James Craig. Dracula in the Dark The Dracula Film Adaptations. Westport Greenwood Press, 1997. Stoker, Bram. Dracula. clean York Signet, 1992. Bram Stokers Dracula. Screenplay by James V. Hart. Dir. Francis Ford Coppola. Perf. Gary Oldman, Winona Ryder, Anthony Hopkin, Keanu Reeves. Columbia Tristar, 1992.